27.6.23
In the best way possible, Polite Society is a colourful mix of East is East, Karate Kid, Kill Bill, Scott Pilgrim and the half-decent episodes of Eastenders from the 2000s. It’s a very eclectic coming-of-age drama which follows the life of teenage girls in West London, one of who finds empowerment through martial arts.
Like Rye Lane, it vibrantly showcases the haunts of South London, but this time it’s Shepherds Bush and White City rather than Peckham and Brixton. I found it to be so refreshing, as it speaks to the inner atheist and religious critic in me. To see young Muslim women break free of tired tropes and traditional gender roles, whilst at the same time not being afraid to swear or criticise religion – well, I just thought it sent a clear anti-patriarchal, feminist message that comes through clearly.
Some of the action does become predictable and stale after one too many fight sequences, and a 10-minute trim would help the pacing, but the confident performances and fearless spirit still make Polite Society an appealing indie film. It boldly shows an important voice in a genre lacking diverse perspectives. Overall, an authentic and energised tale with some great laugh-out-loud moments, but its panto-like qualities may dissuade me from revisiting it.